Routine Risks, by Robert Hahn. 8vo, 21cm, 68p, (Harry Duncan) Abattoir Editions, University of Nebraska at Omaha, 1976.
Handset in Romulus Italic and Bold. Number 191 of 200 copies printed in black and blue on Wookey Hole special hand-made paper, damped before printing. Bound in light brown Tarei paper boards, with white paper labels printed in black on the front and spine. A fine copy.

Father of Waters, poems 1965-1976 by Ben Howard, with an introduction by E.L. Mayo. 8vo, 19.5cm, 88p, (Harry Duncan) Abbatoir Editions, University of Nebraska at Omaha, 1979.
Handset in Walbaum with Ultra Bodoni for display. Number 093 of 175 press-numbered copies on Gutenberg Laid paper printed in black and sage-green. Bound in light grey green cloth boards with a text paper label, on the spine. A fine copy.

In Place: A Sequence by John Hollander. 8vo, 22cm, 48p, Abattoir Editions, The University of Nebraska at Omaha, 1978.
Handset in Cloister Old Style Roman with Spectrum Italic lowercase. One of 271 copies (this being one of 247 on Imago hand-made paper) damped before printing, bound in dark grey cloth boards, printed spine label. A fine copy.

The ceremony and other stories, by Weldon Keys and edited by Dana Gioia. With a drawing by Harry Duncan. 8vo, 24cm, 78pp, (Harry Duncan) Abattoir editions, University of Nebraska at Omaha, 1983.

Text set in 14 point Perpetua. 295 copies bound in beige-white linen with a printed spine label, this being number 248 and one of 66 copies on Curtis rag paper. A fine copy.

The Queen of Snakes: A Poem, by Hugh Knox. 8vo, 25.5cm, 111p, (Harry Duncan) Abattoir editions, The University of Nebraska at Omaha, 1978.

Handset in Romulus and Cancellaresca Bastarda. Total edition of 208 copies of which this is one of 165 on Arches Text paper. Black cloth boards with a design by John Thein stamped on the upper cover. A fine copy.

Ther are 43 copies on Wookey Hole paper with four intaglio colour etchings by John Thein.

For My Brother, by Greg Kuzma.8vo, 19.5cm, 70p, (Harry Duncan), Abattoir Editions, The University of Nebraska at Omaha, 1981.
Text set in Gill Sans. One of 195 copies printed on Windhover paper and bound in royal blue-purple Japanes paper over Bristol board. Title label overlapping spine and front cover. A fine copy.

Passages from Friday, by Charles Martin. 8vo, 24cm, 41pp, (Harry Duncan) The University of Nebraska at Omaha, 1983.

Text set in Perpetua. Number 224 of 260 copies printed "under the watchful eye of Harry Duncan" on Nideggen paper. Bound in tan-gold cloth-covered boards with red spine label titled in black  A fine copy.

The First Hour. Poems by W.S. Di Piero. 8vo, 24cm, 55pp, (Harry Duncan) The University of Nebraska at Omaha, 1982.

Text set in Walbaum.with Romulus Open display. One of 200 copies printed on Frankfort white paper. Bound in brown-tan cloth-covered boards, printed spine label. A fine copy.

Facets of the Diamond, by Robert Reilly. Square 16mo, 15.5cm, 14p, Abattoir Editions [Harry Duncan, University of Nebraska], 1983.

Text set in Walbaum and Scotch types and printed on Rives paper. One of 260 copies. Sewn into overlapping green paper wrappers with printed label. A fine copy.

Elegy for my Aunt. By John Ridland. 12mo, 16cm, 45p, (Harry Duncan) Abattoir Editions, The University of Nebraska at Omaha, 1981.
Text set in Perpetua italic. One of 200 copies printed on Kozo Yamato paper and bound Japanese-style in Fabriano Ingres covers. A fine copy.