My Father and Edward Ardizzone: A Lasting Friendship. By Edward Booth-Clibborn. Illustrated with Ardizzone Christmas cards. 4to, pp.48, Patrick Hardy Books, London, 1983.
32 illustrations, nearly all full-page. Manilla cloth with gilt spine titling, pictorial dust-jacket. A fine copy.
Designed by Gerald Cinamon.

A note on the book illustrations of Paul Nash, by Rigby Graham. With ten reproductions of illustrations by Paul Nash. 8vo, 31pp, 22cm, Brewhouse Press, Wymondham, 1965.

Set in Monotype Perpetua. One of 250 copies printed in black (with Paul Nash's monogram blocked in gold by Trevor Hickman on the title-page) on white cartridge paper. Perfect bound by TH, green endpapers and matching wrappers cut flus, blocked in gold on the front and printed in black on the front and spine. A near fine copy.

The Book Illustrations of Orlando Jewitt. By Frank Broomhead. Royal 8vo, pp.xvi,256, Private Libraries Association, Pinner, 1995.
Portrait frontispiece and 98 reproductions; black cloth, spine gilt. A fine copy.

The Art of Extra-Illustration. By J.M. Bulloch. 8vo, 60 p., [4] leaves of plates : ill ; 23 cm., London : Anthony Treherne & Co., 1903.
Inserted black-and-white plates; cloth-backed boards, titled in red, endpapers waterstained. A good copy of an uncommon book.
The Collector's Library, edited by T.W.H. Crosland, Vol.II.

English Prints for the Collector, by Stephen Calloway. Foreword by John Russell Taylor. 1st U.S. Edition, 4to, pp.232, The Overlook Press, Woodstock, 1981.
Lavishly illustrated in black-and-white and colour; black cloth, spine gilt, pictorial dust-jacket. A fine copy.

L'Art du Livre en France: des origines a nos jours. Par Frantz Calot. Preface de Pol Neveux. 4to, xvi, 301, [1] p. : ill. (facsims.) ; 29 x 23 cm., Paris : Delagrave, 1931.
Profusely illustrated within the text; bound up in natural half morocco with marbled paper sides and endpapers, red leather spine labels titled in gilt. Spine edges a little rubbed. A very good copy.
Chapters 1, 4, 8-10 are by L. M. Michon; chapter 7, by P. G. Angoulvent; and the remaining chapters by F. Calot. cf. Avertissement.

Avant-Garde British Printmaking 1914-1960. 4to, 28cm, 240 pages, frontispiece, 16 colour plates, black & white illustrations, British Museum Publications, London, 1990.
Plates and illustrations throughout. Pictorial wrappers. A fine copy.

Joan Hassall, Engravings & Drawings. By David Chambers. With an introductory memoir by Joan Hassall and an appreciation of her technique by George Mackley. First edition, 8vo, pp.lxii + fly-title + 158p illustrations + index, Pinner: Private Libraries Association, 1985.

Limited edition of 110 copies (plus 2,500 standard), signed by Joan Hassall and including eight wood engravings printed from the wood at the Cuckoo Hill Press, Pinner. With a portrait, many illustrations and a small booklet loosely inserted in an end pocket. Includes a good bibliography. Decorative endpapers. Black quarter morocco with gilt spine titling, grey cloth sides, gilt top, slipcase. A fine copy.

A Treatise on Wood Engraving, historical and practical with upwards of three hundred illustrations, engraved on wood, by John Jackson. First edition, 8vo, xvi,749p, 7 unnumbered leaves of plates, illustrations (some colour), 26cm, London: Charles Knight, 1839.

Bound in contemporary half morocco, spine gilt, with marbled paper-covered sides, gold top, other edges uncut. Edges somewhat rubbed. Internally very good.

'Shall We Join the Ladies?' Wood engravings by [27] Women Artists of the Twentieth Century. With an appreciation by George Mackley. Medium 4to, pp.102 + colophon, Studio One Gallery, Oxford, 1979.

One of 500 copies printed at Skelton's Press. 73 pages of engravings including 2 folding. Black cloth lettered in gilt on the spine, with a floral inset from a design by Joan Hassall, on the front cover. A fine copy.
With the 12 October, 1979 Museum of Oxford, opening address by John Dreyfus loosely inserted,