Designers in Britain. Editor: Peter Ray. Introduction to industrial design Sir Thomas D. Barlow. Introduction to commercial design: Jack Beddington. 4to, pp.289, Society of Industrial Artists & Allan Wingate, 1947
Upwards of one thousand black-and-white reproductions displaying the work of some three hundred artists. Decorative endpapers. Brown cloth, gilt spine titling.

The Fleuron: A Journal of Typography. No.VI. Demy 4to, pp.xiii[1], 264 + inserts & mounted inserts, At the University Press, Cambridge, 1928.

One of 1,150 (1,310) standard copies printed in Barbou type on Abbey Mills paper. Eight-page inserts of Lutetia italic, Stempel Baskerville, New Hellenic, twelve-page specimen of Weiss roman and a sixteen-page specimen of Monotype Pastonchi. There are also broadsides of Lutetia, Weiss, Baskerville and Naudin bound in. Many illustrations in the text, inserted plates include the work of Rudolf Koch and various incriptions. Turquoise cloth, gilt on spine. Lacking dust-jacket, endpapers dusty. A very good copy.

Principal contents: The Work of rudolf Koch, by Albert Windisch; Geofroy Tory, by a.F, Johnson; On Decorative Printing in America, by Paul Beaujon; Decorated Types, by Stanley Morison; Bernard Naudin, Illustrator, by Luc Benoist; Address by Citizen Sobry on the types of Gille, edited by daniel Berkeley Updike.

The Fleuron: A Journal of Typography. No.VI. Edited by Stanley Morison. Demy 4to, pp.xiii[1],264 + inserts & mounted insets + extras, At the university Press, Cambridge, 1928.

Number 7 of 160 (1310) de luxe copies copies printed on Kelmscott hand-made paper, specially bound, with extra inserts. Set in  Barbou type and printed at Cambridge University Press: 8pp inserts of Lutetia italic, Stempel Baskerville, New Hellinic, a 12pp specimen of Weiss roman, and a 16pp specimen of Monotype Pastonchi. The are also broadsides of Lutetia, Weiss, Baskerville and Naudin bound in. Many illustrations in the text, inserted plates include work of Rudolf Koch and various inscriptions. Turquoise cloth, extra gilt on spine. Lacking dust-jacket. Extremities just a little worn. A very good bright copy, lacking the extra New Hellenic insert by Victor Scholderer.

Principal contents: The Work of Rudolf Koch, by Albert Windisch; Geofroy Tory, by A.F. Johnson; On Decorative Printing in America, by Paul Beaujon; Decorated Types, by Stanley Morison; Bernard Naudin, Illustrator, by Luc Benoist; Address by Citizen Sobry on the types of Gille, edited by Daniel Berkeley Updike. The extra inserts include a plate in the Gothic text of Rudolf Koch; a layout by bruce Rogers; Six Eighteenth-century Bergerettes, with a wood-engraving by Eric Ravilious; De Compensatione Rerum, with a copper plate wignette by David Jones; The Maze, by Sylvia Townsend Warner, with frontispiece and title vignette by Ceri Richards; The Piping Fisherman, Aesop's Fable in New Hellenic type with a copper engraving by David Jones (removed from this copy).

Ganymed Jahrbuch Fur Die Kunst. Herausgegeben von Julis Meier-Graefe. Geleitet von Wilhem Hausenstein. Vierter Band. 4to, 28 cm, 314p., R.Piper & Co., Verlag der Marees-Gesellschaft, Munchen, 1922.
German text with original graphics complete as follows; Franz Hecht: Aus der Legende des hl. Franz, nach Taddeo Gaddi. (woodcut), Max Beckmann: Tanzende. (woodcut), Heinrich Camendonck: Die Bettler, nach Bruegel. (woodcut), Richard Seewald: Aus dem Campo santo. (woodcut), Felix Meseck: Landschaft mit Ziegen. (etching), Max Unold: In Memoriam Rene Beeh. (woodcut.). Many other reproductions. Terracotta quarter linen, paper-covered boards titled in reddish-brown. A very good to fine copy.

Genius: Zeitschrift fur alte und Werdendende Kunst. Zweites Buch. Folio, 36cm, pp.177-319, Kurt Wolff Verlag, Munchen, 1919.
28 tipped-in plates, including work by Franz Marc. Original wrappers titled in terracotta, distressed at the spine with some signatures loose. A good copy.
Herausgegeben von Carl Georg Heise, Hans Mardersteig, Kurt Pinthus.

Graphic Design 8. July 1962.4to, 30cm, pp.86 [+8], Diamond Publishing Co., Chiyoda-ku, Tokyo, July 1962.

Inserts, different paper stocks, profusely illustrated with both colour and black-and-white photographs, text in Japanese and English. Cover design by Ohashi Tadashi. Just a little dusty. A very good copy of an outstanding periodical.

Principal contents: New Wave in Graphic Design, by Masaruru Katumie; Polish Film Posters, by Masayoshi Iwabuchi; Port Yokohama, by Tota Takezawa; Selected Works of Tadashi Ohashi; Design Policicy of the Steendrukkerij de Jong.

Graphis Annual 1952/53. International Advertising Art. Editors: Walter Herdeg & Charles Rosner. 4to, 201pp. + ads., Amstutz & Herdeg, Graphis Press, Zurich, 1953.
753 reproductions, some in colour. Blue cloth, gilt on spine and upper board. A very good bright copy.

The Phoenix. The Literary Supplement Number of the Gazette. Wycombe Abbey School, Summer Term 1938. [Edited by Sheelagh Stevenson.] Demy 4to, 32pp., Wycombe Abbey School, High Wycombe, 1938.

Printed on good quality wove paper, 12 woodcut illustrations and various textual contributions by pupils. Stapled into overlapping yellow paper wrappers, with a large linocut phoenix in red on the front. A little dusty and curled. A very good copy.

Not recorded in the Hague & Gill checklist.

Image. A Quarterly of the Visual Arts. Edited by Robert Harling. 8 issues, complete set, large 8vo, London: Art & Technics, Summer 1949 to Summer 1952.

Variously and copiously illustrated with inserted, etc. Printed paper semii-stiff covers. A very good set.

Far more concerned with the visual arts than its predecessors Typography and Alphabet and Image, Image contains outstanding contributions on the work of John O'Connor, John Minton, Ben Shahn, John Piper, Ethelbert White, Anthony Gross, Edward Ardizzone, Blair Hughes-Stanton and others. Image 5 is an excellent survey of twentieth-century English wood-engraving, by Thomas Balston, containing almost 100 engravings, some in colour, mostly from the original blocks.

Image. A quarterly of the visual arts. Edited by Robert Harling. 8 issues, complete set, 8vo, London: Art & Technics, Summer 1949 to Summer 1952.

Variously and very fully illustrated with inserts etc. Printed paper semi-stiff wrappers. A very good set.

More concerned with the visual arts than its predecssors Alphabet and Image and Typography, Image contains outstanding contributions on the work of John O'Connor, John Minton, Ben Jahn, John Piper, Ethelbert White, Anthony Gross, Edward Ardizzone, Blair Hughes-Stanton and others. Image 5 is an excellent survey of twentieth-century English wood engraving by Thomas Balston, containing almost 100 engravings, some in colour, mostly from the original blocks.