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Typography & Design
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Processes of Graphic Reproduction in Printing. [With a bibliography.] By Harold Curwen. |
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By the Way. No 1. Autumn 1959. An Occasional Bulletin from The Curwen Press. |
£50.00
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Garamond. [Foreword by Rudolf Wolf.]. |
£60.00
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Ratdolt Titling: A Victor Hammer Font comes to Fruition. [With a recollection by Robert Haas.]
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£35.00
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Ratdolt Titling: A Victor Hammer Font comes to Fruition. [With a recollection by Robert Haas.]
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£125.00
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Revolution typographique depuis Stephan Mallarme. |
£200.00
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Delivery weight: 1.5 kg
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Letterproef. |
£35.00
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Delivery weight: 500 g
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A Variety of Stock Cuts to meet Every Requirement.
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£200.00
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Package and Print. The development of container and label design, by Alec Davis. |
£40.00
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Type in Advertising. By Alec Davis. |
£28.00
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Nature in Ornament: An Enquiry into the Natural Element in Ornamental Design & A Survey of the Ornamental Treatment of Natural Forms. With numerous illustrations of design and treatment in ornament, old and new. |
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Choice Examples of Art Workmanship: Selected from the exhibition of ancient and mediaeval art at the Society of Arts. Drawn and engraved under the superintendence of Philip de la Motte.
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£160.00
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Notable Printers of Italy furing the fifteenth Century. Illustrated with facsimiles from early editions and with remarks on early and recent printing. By Theodore Low de Vinne. |
£130.00
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Louis van den Eede. Een halve eeuw typografie in Vlaanderen. Pierre Delsaerdt, Tonia Dhaese, met bijdragen van: Paul van Calster, Jan Martens, Erik Michiels, Ludo Simons, Seymour Slive, Dirk Vandemeulebroecke. |
£25.00
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Decoration de bois et marbres, par A. Desaint. |
£120.00
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Design Research Unit [Folder of reent representative projects by members of the association.] |
£120.00
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Designers in Britain 7: A Review of graphic and Industrial Design compiled by the Society of Industrial Artists and Designers. [Edited by David Caplan.] |
£30.00
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Designers in Britain. 1851-1951, Volume Three. A Biennial Review of graphic and Industrial Design. Compiled by the Society of Industrial Artists. [Foreword by Peter Ray.] |
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Typographical Antiquities; or The History of Printing in England, Scotland and Ireland: Containing memoirs of Our Ancient printers, and a Register of the Books printed by them. Begun by the late Joseph Ames, Considerably augmented by William Herbert, of Cheshunt, Herts; and now greatly enlarged with copious notes, and illustrated with appropriate engravings. |
£125.00
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Annals of Scottish Printing. From the Introduction of the Art in 1507 to the beginning of the Seventeenth Century. By Robert Dickson & John Philip Edmond. |
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Some Examples of the Work of American Designers
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The Romance of the Amalgamated Press. |
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An Introduction to the History of Printing Types. An illustrated summary of the main stages in the development of type design from 1440 up to the present day. An aid to type face identification. By Geoffrey Dowding. |
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Factors in the Choice of Type Faces, by Geoffrey Dowding. |
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Finer Points in the Spacing and Arrangement of Type, by Geoffrey Dowding. |
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Bruce Rogers and American Typography. A paper read to the Double Crown Club, by John Dreyfus. |
£120.00
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Into Print. Selected Writings on Printing History, Typography and Book Production. |
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Italic Quartet. A record of the collaboration between Harry Kessler, Edward Johnston, Emery Walker and Edward Prince in making the Cranach Press Italic. By John Dreyfus. [Preface by Brooke Crutchley.] |
£75.00
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Typorum Conspectus MCMLVII:Specimen of Types assembled by John Dreyfus for his Paper on Trends in Type Design |
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Type Specimen Facsimiles: Reproductions of fifteen specimen sheets issued between the sixteenth and eighteenth centuries. Accompanied by notes, mainly derived from the researches of A.F. Johnson, Harry Carter, Matthew Carter, Netty Hoeflake, Mike Parker. With an introductory essay by Stanley Morison. |
£95.00
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