Handbook of Pulp and Paper Technology. Edited by Kenneth Britt. Royal 8vo, 25cm, pp.viii,537, note, Reinhold Publishing Company, New York, and Chapman & Hall, London, 1964.

Reproductions and illustrations within the text; black cloth with red spine titling. A very good bright copy.

The Zaehnsdorfs (1842-1947): Craft Bookbinders, by Frank Broomhead. 8vo, 109pp, 25cm, Private Libraries Association, 1986.

One of 2,250 standard copies. Black-and-white reproductions within the text. Purple cloth with black spine label, gilt. Engraved book label of Ron Smith. A fine copy.

El arte de encuadernar y su evolución : conferencia pronunciada... con motivo de la Fiesta del Libro de 1965. 8vo, 55-72p ; 25cm., Barcelona : [s.n.] 1966.

13 inserted plates; green paper-covered boards with printed label superimposed on the upper cover. A fine copy with a lengthy presentation inscription from the author,

"Separata del catálogo de la producción editorial barcelonesa, 1964-1965."

A survey of hand-made and fine mould-made papers, compiled by G.A. Beale. 12mo, 19cm, 52p, (G.A. Beale) Cadenza Press, London, 1977.

Handset, text in Bodoni, display in Times Bold and Bodoni Bold. One of 230 copies printed in black and red on Barcham Green Eltham cream laid hand-made paper. Quarter-bound in brown morocco, blocked in gold on the spine, with marbled paper-covered boards. Light brown endpapers. A fine copy.

Printed on an Adana 8 X 5. A splendid achievement for such a small press.

Traite de la Relieure des Livres. A Bilingual Treatise on Bookbinding. Translated from the French of Jean-Vincent Capronnier de Gauffecourt by Claude Benaiteau. With an Introduction by John P. Chalmers. Edited by Elaine B. Smyth. 8vo, 130p, colophon, W. thomas Taylor, Austin, 1987.

Set in Van Dijck and printe in black (title-page in black and reddish-brown) on Frankfurt White paper. One of 260 (300) copies. Red quarter cloth, grey paper-covered boards. A fine copy, but misbound, with the spine label inverted and hence cheap.

Wolvercote Mill: A Study in Paper-making at Oxford, by Harry Carter. First edition, 8vo, pp.xii,79 + plates, Oxford: Printed for the Society at the University Press, 1957.
Colour frontispiece, 10 inserted black-and-white illustrations and various others within the text. Dark blue cloth, spine gilt. Pictorial dust-jacket slightly rubbed at bottom edge. Bookplate and ownership signature.

Carter (John). Binding Variants, with More Binding Variants in English Publishing, 1820-1900. Reprint, 8vo, pp.172 & pp.52, 16 plates, New Castle, Oak Knoll, 1989.

Inserted plates; original rexine, printed dust-jacket. As new.                                                   

Suminagashi: The Japanese Art of Marbling. A Practical Guide, by Anne Chambers. Foreword by Akira Kurosaki. Small 4to, 80pp, 25cm, Thames and Hudson, London, 1991.

64 illustrations, 38 in colour. Semi-stiff decorative covers. A fine copy.

The Practical Guide to Marbling Paper, by Anne Chambers.  Introduction by Bernard C. Middleton. Small 4to, 88pp, 26cm, Thames and Hudson, London, 1986.

82 illustrations, 54 in colour. Scarlet cloth, spine and upper board gilt. Marbled paper style dust-jacket, titled in black. A fine copy.

Basic principles; Colour plates: traditional papers and processes; Ebru; Oil marbling; Equipment and materials; Carragheen moss; Ox-gall and alum; Paper and colours;  Basic method of marbling paper; Variations on basic marbling; Creative marbling and ebru; Oil marbling; Marbling in the eighteenth century.

Modern Paper-Making. By Robert Henderson Clapperton & William Henderson. Third edition, crown 4to, pp.xii,380 + xx ads., Basil Blackwell, Oxford, 1947.

157 illustrations including 3 folding plates; blue cloth, spine titled in gilt. A very good copy indeed.